Rugnaat

Blank books, sewn by hand in Riebeek-Kasteel

Cloth, leather and marbled paper over grain-long cream pages. Nothing on this shelf came out of a machine.

See what is on the shelf

From the bench, this month

Nine sections onto linen tapes
Nine sections onto linen tapes
Paring goatskin thin on the stone
Paring goatskin thin on the stone
Combing the tray out in the yard
Combing the tray out in the yard
Rounding a spine with the hammer
Rounding a spine with the hammer
A night under the nipping press
A night under the nipping press
Millboard cut, cloth turned in
Millboard cut, cloth turned in
A 1912 family Bible in for rebind
A 1912 family Bible in for rebind
Waxed linen, bone folder, paste
Waxed linen, bone folder, paste

Every book on this wall is blank, and that is the point

I am Annemie, and this is the whole workshop

There are nine rooms in the old bank building on Church Street and I have one of them, at the back, where the light comes in from the south the whole day. A section is five folded sheets; a standard A5 journal takes nine of them, sewn onto linen tapes with waxed thread, and that is about two hours of sitting dead still. The paper is always cut grain-long, running head to tail with the spine, because a book cut the wrong way fights you every time you open it and will never lie flat no matter how you press it. Repairs I quote only once the book is in my hands. A loose hinge and a tired spine are an afternoon. A text block somebody has glued back together in a hurry can be a fortnight, and I have to take the hurry out again before I can start. Bring it in on a Thursday or post it to the shop, and I will tell you honestly what it needs and what it will cost. Some books are not worth doing, and I would rather say so than take the money.

Ready on the shelf

Marbled guest bookGuest booksMarbled guest bookR1 450.00Add to cart

The bench letter

Once a month: what came in for repair, what is finished and standing on the shelf, and when the marbling tray is next out in the yard.