
Why we keep a company
Casting a play at a time is cheaper and I have done it for years. What you get is a stranger who learns the blocking, takes the money and leaves, and a theatre that starts again from nothing every six weeks. Keeping twelve people on salary swallows more than half our annual budget and it is the only reason our March work is better than our February work. They know the rake, they know each other, and they know that if a scene is not working they can say so at ten in the morning without it costing them the job. Nomalanga Sityebi, artistic director since 2016









